Adrian R
Well-Known Member
Just needs some volume to display its glory ..and biased correctly...Wholeheartedly agree. Red channel 1 all the way.
Just needs some volume to display its glory ..and biased correctly...Wholeheartedly agree. Red channel 1 all the way.
And I've been playing with it some more and find that it's the ultra gain channel that suffers most from the icepick highs.
The way I dial in my 1997 made DSL100 (never had drifting bias issues at all), gives me killer tone quiet or loud.Just needs some volume to display its glory ..and biased correctly...
I ALWAYS like cranking the presence control, and then setting the treble to room and or guitar...it varies. Cranking the presence gets my Heyboer OT talkin'.. Gain at like 5, mv at 4...insane...The way I dial in my 1997 made DSL100 (never had drifting bias issues at all), gives me killer tone quiet or loud.
Deep: in (engaged)
Presence 2
Treble 2
Middle 4
Bass 3
Tone Shift: out (disengaged)
Volume to taste
Gain 3
Channel red lead 1
I used to keep the Gain at 4, but lately I’ve been at 3. I find these settings very similar to a healthy 2204 where the 2204 would have the gain at 8.
I like a big, thick, growly tone and that’s how I get it with that amp. It’s a slightly tweaked version of what Angus Young’s guitar tech detailed about how he sets Angus’ amps.I ALWAYS like cranking the presence control, and then setting the treble to room and or guitar...it varies. Cranking the presence gets my Heyboer OT talkin'.. Gain at like 5, mv at 4...insane...
I hear ya, ahh, well maybe...lol... I love the fidelity when cranked, but then I turn the treble way down... But, yeah, I like a really bright sound.. Schenker always has his presence cranked on his 2205s..I concur with that dude!I generally never turn presence controls up very high. Maybe that's why I still have excellent high frequency hearing at my age. Yeah I like it loud but at a safe distance and only for brief spurts of loud at a time. And I'm totally happy to wear my Etymotic High Fidelity earplugs, which give a pretty even full spectrum reduction of all frequencies by about 20 dB.
I like nice clear harmonics and overtones, but not for the sound to be dominated by them.
You might not like it as much as the DSL.It never rains but it pours....now I'm deciding whether to go for a JCM900 high gain dual reverb model that's been offered to me for quite a good price. Do I need to buy another Marshall so soon?
Depends on how things go this weekend.
Congrats on the scoreYesterday another DSL100H in excellent condition fell into my lap for 400 dollars US. How could I say no?
No photo needed, it looks just like any other DSL100H in excellent shape.
It works fine. But it's going to take some getting used to. It's tonally very much a different animal from my Superleads, my 2203, or any of my Mesas.
I already found that the effects loop settings that work on my Mesas don't work well with this amp. I'll have to start tweaking, especially the EQ, to find what works.
It has a lot of potential. The base tone is good. But I'll have to spend time finding the amp's best tones.
And if it doesn't quite make it for me, I can easily get my money back out of it, or even make a few bucks off it.
This is my second DSL100H. The first one came to me making no sound. Found open cathode resistors on the power tubes. Replaced them, good to go. Didn't tonally "bond" with that amp, and sold it.
Exactly…probably the best mostly solid state amp ever made but still.I learned more about the 900, how it's mostly a solid state amp with a few tubes in it. I'm reconsidering.
I thought you already knew that.I learned more about the 900, how it's mostly a solid state amp with a few tubes in it. I'm reconsidering.