Not my favorite Marshall amp, and it wasn't until I played a newer DSL100H that I found one I could bond with. It was on an EVH 4x12 btw...
Amazes me that it took Marshall so long to address and fix the original issues with the DSL.
But there's a reason why they are provided as a backline almost everywhere these days.
Most big artists say they can work with them and get a decent sound for the job at hand.
Amazes me that it took Marshall so long to address and fix the original issues with the DSL.
But there's a reason why they are provided as a backline almost everywhere these days.
Most big artists say they can work with them and get a decent sound for the job at hand.