BluesRocker
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I would go on a limb and say I could gig my 2204 with the volume on 2.5 without a mic.
So bedroom amp.. Yeah
So bedroom amp.. Yeah
If you're worried about hearing loss and headaches, you better wear earplugs!
Another thing, a JCM800 half stack in a bedroom is overkill... Yes people do it... like having a pet Tiger... but it's not the nature of the Beast...
If you're worried about hearing loss and headaches, you better wear earplugs!
Another thing, a JCM800 half stack in a bedroom is overkill... Yes people do it... like having a pet Tiger... but it's not the nature of the Beast...
a JCM800 half stack in a bedroom is overkill... Yes people do it... like having a pet Tiger... but it's not the nature of the Beast...
It would be like buying a dragster to drive around in your living room. That is not what the JCM800 was designed for. The 50 watt version would only be 3db quieter.I am considering the JCM800 2203 and I was wondering if it could be played at a lower volume without sacrificing a nice crunch or distortion. I mean can I crank it up to a volume where it's loud with distortion but not hurt my ears?
The downside is that a great and transparent attenuator like the Faustine Phantom is going to cost $800 and it will take months worth of waiting time before it is built and delivered. A cheaper attenuator like a THD Hotplate will cost close to $300 used and it will work pretty well, but it will change your million dollar tone for sure when you try to bump things down to bedroom level.I just wanted to throw out another opinion that I think is valid, since I do play my 2204 at home as well as out.
I have 3 Marshalls - a class 5 head, a 2061x head, the 2204 and a pretty nice attenuator (Faustine Phantom). The 3 amps have more in common in terms of volume than not, but they don't behave the same with the attenuator.
The attenuator works well with all three, but the two smaller amps don't attenuate down to conversation level as well as the 2204 for some reason. There's something in the relatively more complex circuit of the 2204 (maybe negative feedback, maybe something else) that allows the tone to stay in tact to lower levels.
I prefer all of the amps with less or no attenuation, but that's not practical even in rehearsal or the small club gigs I play.
If it weren't for my specific experience, I would have never believed that the 2204 is my best apartment amp, but it is.
The "tiger for a pet" analagy is apt. It is a little wierd, and non optimal. So is a 2203/2204 at home. At the same time - a pet tiger is pretty cool - and a 2204 at home can be as well.
Right, but you gotta take care of that tiger, can't just leave it in a cage like a conversation piece. I prefer a modeling setup when I gotta play low volume.
The downside is that a great and transparent attenuator like the Faustine Phantom is going to cost $800 and it will take months worth of waiting time before it is built and delivered. A cheaper attenuator like a THD Hotplate will cost close to $300 used and it will work pretty well, but it will change your million dollar tone for sure when you try to bump things down to bedroom level.
A JCM 800 + attenuator + cabinet is gonna cost like $1500! Why not just get something smaller like a Haze 15?
There's no attenuator on planet earth that can change a 100 watts cranked monster into a good little practice amp.
Unless, of course, you consider the attenuator that is already built into the AFD100 and the YJM100 Marshall heads. I've got the AFD100 and the attenuation feature (EPA) works wonderfully. I can get brutal, nasty distortion at 100 watts, or a similar amount of gain at levels that won't wake up the family. (Even if they are sleeping in the next room!)
I may never again buy another amp without this feature.