Gene Ballzz
Well-Known Member
Has anyone here ever used KT66 tubes in a cathode bias configuration? I've not yet noticed such a use.
The reason for the question is brain storming (maybe brain "farting") a JTM 45 style build. My thought is to build a JTM45 style amp, but centered around having the option of utilizing KT66 or 6V6 power tubes in a cathode bias manner.
Now, while I realize that cathode bias does not really capitalize on the full output the tubes are capable of, in this day and age of striving for "Big Boy" amp sounds and response at "Little Boy" wattages and volumes, this may be a benefit.
I'm assuming cathode biasing the KT66s will drop the nominal output wattage of an otherwise standard JTM45 to about 30 to 32 watts (maybe a little less) and then simply swapping to 6V6s, dropping that another 35% to 50%. Given that both tube models seem fairly happy with an 8K primary output transformer and both will tolerate similar voltages, it seems fairly doable. I realize that the cathode resistor and cap may need to be switchable to different values for the two different tubes. Is there something else I'm missing?
Ya see, here's my theory: In todays "gin mill" performance environment, an amp needs to provide the desired sound and response, but in a package that is used only as an on stage monitor for the performers. The amp is then easily miked, not for volume, per se, but instead to more evenly distribute that miked sound to fill the room in the same mix as the rest of the band and vocals. The big trick seems to be getting that great "Big" sound at lower, more controlled volume levels.
Please Share Your Thoughts?
Gene
The reason for the question is brain storming (maybe brain "farting") a JTM 45 style build. My thought is to build a JTM45 style amp, but centered around having the option of utilizing KT66 or 6V6 power tubes in a cathode bias manner.
Now, while I realize that cathode bias does not really capitalize on the full output the tubes are capable of, in this day and age of striving for "Big Boy" amp sounds and response at "Little Boy" wattages and volumes, this may be a benefit.
I'm assuming cathode biasing the KT66s will drop the nominal output wattage of an otherwise standard JTM45 to about 30 to 32 watts (maybe a little less) and then simply swapping to 6V6s, dropping that another 35% to 50%. Given that both tube models seem fairly happy with an 8K primary output transformer and both will tolerate similar voltages, it seems fairly doable. I realize that the cathode resistor and cap may need to be switchable to different values for the two different tubes. Is there something else I'm missing?
Ya see, here's my theory: In todays "gin mill" performance environment, an amp needs to provide the desired sound and response, but in a package that is used only as an on stage monitor for the performers. The amp is then easily miked, not for volume, per se, but instead to more evenly distribute that miked sound to fill the room in the same mix as the rest of the band and vocals. The big trick seems to be getting that great "Big" sound at lower, more controlled volume levels.
Please Share Your Thoughts?
Gene