since we don't have a sub forum for it.
questions,answers,tips,tricks,techniques,gear?
post 'em up.
questions,answers,tips,tricks,techniques,gear?
post 'em up.
I'd love to have a dedicated "Recording" subforum. It's been asked for before and hailed by many to be a great idea.
But deleting old threads seems to be a priority.
What is everyone's general recording process? Such as what do you record first?
Drums?
Bass?
Guitar?
I've heard many MANY times that drums and bass are always laid first. I've had a hard time actually putting a song together from some of the riffs I've come up with. No idea how to proceed without a drummer/bass player and/or instruments to cover these.
Stuck (at least if I did it right...it's my first sticky)
Question:
I used to record with a Presonus Inspire 1394. Easy to use, and it sounded great.
With the new computer...the interface would work, but the software wouldn't...so I figured it was time for a new interface anyway.
I got the Steinberg UR22. Spec wise...the preamps are way more sensitive and have a wider dynamic range. But when you record at the same levels...keeping everything out of the red...it sounds much quieter and nowhere near as full. Nice and crisp, but not as much balls. Anyone know why, and what I can do about that?
The rule of analog (where I started years ago) was to run everything as hot as possible to keep the S/N level as strong as possible, but digital doesn't have this problem.
It is actually better to run your tracks on the cold side (I use gain plugins on every track that are set initially to -6dB, which allows me to keep the actual track faders all at zero-this make volume automations much easier to deal with).
The lower track levels will make sure you don't have any headroom issues as your project grows, but the lower overall volume will appear to have less balls. To get those balls back, use a gain plugin on your output bus to kick the levels back up at the very end of the chain. That way you're not piling too much gain up over the course of your project, which can be a grade-A bee-otch to deal with if something starts clipping in the middle of the chain.
Thanks. I tried one of those but it seemed to distort things when it boosted. It as called "volume eleven". What do you use?
I just use the stock gain plugin that came with my DAW (Logic).
If you're having clipping issues on the two bus with the gain plugin, try just kicking up the volume level of your actual monitors.
I generally mix everything to where my output bus level is still well below zero dB, and then bring it up to just below zero with the final gain plugin. My mixes come out slightly quieter than most newer commercial CDs, but that's because most modern music is brickwall limited at the mastering stage to compete in the stupid volume wars (at the cost of dynamic range). My older CDs (mastered in the eighties) are at about the same volume level as the stuff I'm doing myself.
I use a MOTU 8 pre for my interface, its pretty cool and easy to use. One of the first things I learned about mixing was that although it is a good idea to not wake the rest of the house while doin late night recordings,trying to mix in headphones doesn't work for me, the bass signals always sound great in the phones but are not as fat in the mix when put through most other playback systems without a sub. And I gotta have the low end. Mixing/levels is an art form that I am not sure I will ever be consistant at,, frustrating at times but for the most I learn something new every time.
I think this sticky is a good idea
I was just about to come ask some questions and this is the perfect place
Im interested in buying some plug ins,
easy to use drums and a great sounding guitar amp plug in
micing my amps is annoying
Thanks. I tried one of those but it seemed to distort things when it boosted. It as called "volume eleven". What do you use?