Sure but if you have a bad audio P.A the modeler, won't sound its best.
it will always be an unknown.
If you have a bad tube, or a smoked output tranny, or a myriad of other issues the amp won’t sound its best either.
Sure but if you have a bad audio P.A the modeler, won't sound its best.
it will always be an unknown.
If you have a bad tube, or a smoked output tranny, or a myriad of other issues the amp won’t sound its best either.
Or just bad mic placement, that will ruin the sound coming out of the PA also.If you have a bad tube, or a smoked output tranny, or a myriad of other issues the amp won’t sound its best either.
How is that portable?
Has a handle on top. LOL. Or have all guitar players suddenly become "girly men" ?How is that portable?
If you can pick the amp up and carry it it is portable, same goes with the cab.How is that portable?
I don't know about that - NUX and other low priced modelers are doing gangbuster business.... and Positive Grid is dominating the modeling world with their spark amps.
A jmp-2It's got to be something small that can fit into a backpack, or even a hybrid like the orange terror stamp. Something that can be connected directly to a mixer and requires no speaker.
I appreciate that players would like Marshall to go into the modelling world. But that's not what the British owned Marshall were about.
For the most part, they continued to make products that like Strats and Les Paul's, don't need an update every month and replaced every few years like a smartphone.
They could call it the JVM.I think Marshall could make a successful modeling amp if they did the following:
1) make a visit to the Fractal HQ and bring a big suitcase full of cash and beg Cliff Chase to help them build it.
2) the design must be a full size head with all the Fractal Marshall amp models + ones they haven't done + do the Silver Jubilee and all models with multi channels and switches available and modeled with all those switches and channels.
3) the power amp section should be a SS power amp that has an Output tranny like on PASO series 4000 amplifiers. 4-8 and 16 ohm outputs at 100 watt.
4) an fx loop between the amp model and the SS power amp section which can be activated or not.
5) a large row of knobs on front that have mini displays that will state what the knob does. If it's only a 6 knob model than only 6 of those knobs show a control name on the mini displays. Also, buttons for those bright switches, ch switches, tone shift etc.
6) a knob that allows you to select the "Speaker Impedance Curve" for the cab you will be using.
7) a usb port to allow access to a computer to "tweak" those under the hood parameters like tube brands, bias, negative feedback, bright switch cap etc.
8) an additional Line Level out with XLR and 1/4" that can have 3rd party IRs loaded on board. This can be used as a direct to FOH/IEM instead of or along with a mic'd cab and for recording.
9) access to special made Fractal amp models which are only useable on this Marshall modeler amp that are not included but can be purchased via Fractal and DL'd to add to your amp. For example: Fender, Soldano, Mesa, Bogner etc.
10) Midi IN Out Thru
11) Headphone output that contains the IRs for quiet practice.
12) a simple app that you can use to create IRs of your own real cabs so you can use these as your own 3rd party IRs. This will utilize the onboard SS power amp when creating those IRs.
13) 2 front panel switches that at first appear like they are "Power" and "Standby" switches but are actually "Modeler" and "Power amp" on/off switches. This is so amp can be used in silent mode with no power amp or can be used as a power amp only for slaving.
14) an included simple 8-10 switch midi foot controller that switches between presets/banks.
15) 2 digital input/output loops. One to be used in the front of the amp for boosts/ODs etc and the 2nd to be used after the amp for fx such as Reverb/delay etc. Why? Only one A/D converter and one D/A converter on board. Keep all your FX in the digital domain by purchasing those new Fractal pedals that have digital ins/outs. How convenient they came out at the same time! These digital loops can be saved with each preset along with whether the Main FX loop is active or not.
16) the only built in FX are a simple Boost/drive and a Reverb.
17) last but not least.......5% of all sales go to me for coming up with the idea!
I played in bands for more than a decade. I've owned everything from 100 watt tube amps to modeling amps. I played through Line 6 for several years. Later on in life, with the bands long gone, it was time to get something that was good for playing at home, but would also stand up in a jamming situation. I was standing in Guitar Center, looking at another Line6 when I saw the Marshall Code 50. I had owned a few Marshalls and decided to give the Code a shot. As many bad things I've read since, I can say the Code beats any Line 6 I've owned. There are hoards of players who swear by the Code. I wouldn't call that series a failure. Not by a long shot. The slight learning curve throws some away from the Code, but a bit of patience and an ear for dialing in tones is all it takes to get the beast that is Code to come to life. (Just had to say something. )When is Marshall going to come out with a decent portable modeling guitar amp?
It's January 2024 and Marshall still has no new modeling amp out. The code series was a disaster and Positive Grid is dominating the modeling world with their spark amps.
It's time to discontinue the code series and give guitar players a compact/portable speaker that carries Marshall into the future.
Personally, I would love to see a new portable amp similar to their Middleton Bluetooth speaker.