Ken
Well-Known Member
Call the Mythbusters!!!!
Ken
Ken
When did Marshall start including 4 ohm taps on their output transformers? The earliest JTM45s had 8 and 16 ohm and 100 volt taps.
I always answer question like this with this logic. People have been playing Marshall's for a long time. Tube amps in general apply as well.
"If there was a tonal difference that was appreciable between various ohm settings, it would be common knowledge today and everyone would be using it."
You can do all the testing you want, but the fact is all the best guitarist's in the world do not make claims such as, "I only run four ohms...it sounds the best."
There's nothing "magic" to discover. Again, if there was, it would have been discovered back 40's when tube amps were already a mainstay in Americana.
I agree with the statement that if it made a big difference, we would have heard about famous guys doing it. Having said that, I ran my JVM410 into my 1960A both ways and I would swear the 4ohm sounded better. Call me crazy but 16ohm had too much high end and 4ohm had a better bottom end with a rounder high end. I also found that my amp ran hotter this way...which scared me a little so i stopped doing it.
Anyhow, to my ears, I heard a difference. Maybe there was something wrong with my amp....don't know. All i can say is try it and let your ears be the judge.
Call me crazy but 16ohm had too much high end and 4ohm had a better bottom end with a rounder high end .
As has been said countless times...that switch is NOT a "tone tweak". It is there to match the amp's output impedance to the impedance of the cabinet.
EVERYTHING you do to an amp affects tone. But just because something sounds good doesn't mean it's good for the amp electrically.
Also, the negative feedback loop comes into play here. Most current Marshalls have the negative feedback loop tied to a certain ohms tap on the output transformer. This WILL affect tone and you can alter the tone of the amp by relocating which tap the NFB loop is taken from. However some older Marshalls had it tied to the speaker jack, which made the NFB loop variable based on which tap you were on.
The all too common myth of "It sounds better because you're using all of the windings of the transformer when on the 16 ohm tap" is nothing more than pure bullshit. If the transformer were a 4 ohm only transformer, you would be using the full winding yet it'd be the same as being on the 4 ohm tap of the transformer.
A lot of this tonal difference you hear has a lot to do with where the negative feedback wire is located relative to which tap it's on.
Again, the impedance selector is NOT and was never meant as a "tone tweak". It's there for electrical reasons to match the amp's output impedance to the impedance of the cab config you're running...plain and simple.
One 16 ohm cab = 16 Ohm setting
One 8 ohm cab OR two 16 ohm cabs = 8 Ohm setting
One 4 ohm cab OR two 8 ohm cabs = 4 Ohm setting
My JCM 900 head has an 8 ohm switch and a 16 ohm switch. Printed next to the 16 ohm switch is (4). I understand the (4) is only if you modify the amp for that. So that said, I could never use a 4 ohm cab with my amp since it is only really capable of 8 or 16 ohms. Am I getting that right?
Correct...not without the mod that swaps the 8 ohm for the 4 ohm tap.
will more or less windings on the OT alter the sound ?
my Ceriatone JTM45 sounds better when it is switched on 16 Ohm...
the sound is clearer, more dynamic...
Exactly, that's why I went to the trouble to explain some of the science/electronics behind it. There may not be a "correct" or even a "better" way, it all depends on how it sounds.
I agree, my theory is the transformer helps make the characteristic tone of the amp, using as much of the windings as possible increases the tone you get out of it.
hello,
I have a dsl 100 and a single mc412 cab both support 4ohms and 16ohms. i usually use the 4ohm on both setting. Is there any difference with using both amp and cab set to 16ohms ?
Yeah, I "think" my 16 ohm output is brighter too, but then I'm using a different cabinet to compare so that's not really relevent.
Ken
I use a really old old vintage OT. Old copper winding matures and sounds great as the atoms become more aligned with use over time. Like fine wine.
As has been said countless times...that switch is NOT a "tone tweak". It is there to match the amp's output impedance to the impedance of the cabinet.
A lot of this tonal difference you hear has a lot to do with where the negative feedback wire is located relative to which tap it's on.
I've wondered about this. In the case of the feedback not matching the tap used for the speaker isn't the output side of the transformer acting as an autoformer?
I use a really old old vintage OT. Old copper winding matures and sounds great as the atoms become more aligned with use over time. Like fine wine.
I really got to know where you heard/read this?