Michocaster
Member
Hi everyone, this is my first post here but it's an important one for me.
I'm looking for your opinion on which amp is best for my intended usage and sound goals.
I need an amp that is not too loud for home use, but I want a warm / dark sound and I'm not too concerned about the price. Having said that... If the Jubilee 2525C and DSL40C are similar in sound quality, I would probably settle for the DSL40C. I once read someone state (in this very forum) "If the DSL40C was made in England the cost would be x3". I am keeping that in mind considering the Jubilee IS made in England, so I'm not sure if I'm paying for better tone or just the labor and other fees.
My current amp is an MG15 DFX combo solid state amp. This amp can sound warm and smooth (treble at 1) at very low volumes but starts to sound really hashy and buzzy (terrible) once I crank it up. I also have a MG15 CFX. This amp sounds cool instead of warm. It actually seems like the effects are permanently on and it doesn't sound "analog" if you get what I mean. It sounds very digital like there is a layer of something between me and the amp. This one doesn't get so hashy sounding when cranked up like the DFX does, but it doesn't sound warm or smooth at low volume either.
I have heard sound clips of the DSL40C and it sounds bright and hollow, but I do understand the limitations of videos online. (since my cheap SS amp sounds much better in person than the clips I heard online)
The 2525C is a mystery to me. The clips online are hit or miss.
I am also considering the JTM45 RI (with a single 12 cab). If I were to purchase this amp, I would like to convert it to triode mode to cut the power in half and also put in a master volume. (or attenuation, etc) I have heard, though, that small low watt amps cranked up sound better than overpowered amps attenuated down to reasonable levels. I'm hesitant to get a head like this for fear it will sound crappy at bedroom volume levels.
I'd also like to ask.. Why is something like the 1974X 18-watt or Astoria Custom 30-watt 1x12 so expensive? These things are all using tubes and resistors, caps, etc, so I'm not understanding why one is x5 the price of the other. (DSL40C vs these two)
Hoping for any advice. Thanks all.
EDIT: UPDATE 12/16/17- I bought a Jubilee Mini and couldn't get the tone I wanted out of it. I returned it, and almost bought an Axe-FX until I started to notice it sounds blurry / plasticy. There is a coloration that is present in all the tones.
I then almost pulled the trigger on a Kemper, since it sounds clearer, less blurry, but it's lacking something. It pretty much nails the real amp tones, way better than the Axe-Fx, but it sounds like an MP3 while the real deal is a Lossless. I was going to wait for a Kemper II version...
That is until I came across a Blackstar Artisan 100 HW head. This is basically a Marshall Superlead 100 clone with some additional voicing options / switching, from a Fender to a Plexi. I'm using an Alnico 15 inch mid-bass ($1,200 for the single driver alone) studio driver as my guitar speaker, to keep driver coloration to a minimum for proper testing. The sound is incredible and is exactly what I was looking for. It's clear as a bell, wide open, with airy breakup when pushed to around 8. There is no master volume. I plan to buy an attenuation device, but for the meantime I have my amp and cabinet setup in the room next to me (to avoid ear damage) and I crank it on 8 - 10 for breakup. Everyday is a live concert, I'm sure the neighbors don't mind, lol.
The only video / sound clip I've found which does it justice is this one:
I'm looking for your opinion on which amp is best for my intended usage and sound goals.
I need an amp that is not too loud for home use, but I want a warm / dark sound and I'm not too concerned about the price. Having said that... If the Jubilee 2525C and DSL40C are similar in sound quality, I would probably settle for the DSL40C. I once read someone state (in this very forum) "If the DSL40C was made in England the cost would be x3". I am keeping that in mind considering the Jubilee IS made in England, so I'm not sure if I'm paying for better tone or just the labor and other fees.
My current amp is an MG15 DFX combo solid state amp. This amp can sound warm and smooth (treble at 1) at very low volumes but starts to sound really hashy and buzzy (terrible) once I crank it up. I also have a MG15 CFX. This amp sounds cool instead of warm. It actually seems like the effects are permanently on and it doesn't sound "analog" if you get what I mean. It sounds very digital like there is a layer of something between me and the amp. This one doesn't get so hashy sounding when cranked up like the DFX does, but it doesn't sound warm or smooth at low volume either.
I have heard sound clips of the DSL40C and it sounds bright and hollow, but I do understand the limitations of videos online. (since my cheap SS amp sounds much better in person than the clips I heard online)
The 2525C is a mystery to me. The clips online are hit or miss.
I am also considering the JTM45 RI (with a single 12 cab). If I were to purchase this amp, I would like to convert it to triode mode to cut the power in half and also put in a master volume. (or attenuation, etc) I have heard, though, that small low watt amps cranked up sound better than overpowered amps attenuated down to reasonable levels. I'm hesitant to get a head like this for fear it will sound crappy at bedroom volume levels.
I'd also like to ask.. Why is something like the 1974X 18-watt or Astoria Custom 30-watt 1x12 so expensive? These things are all using tubes and resistors, caps, etc, so I'm not understanding why one is x5 the price of the other. (DSL40C vs these two)
Hoping for any advice. Thanks all.
EDIT: UPDATE 12/16/17- I bought a Jubilee Mini and couldn't get the tone I wanted out of it. I returned it, and almost bought an Axe-FX until I started to notice it sounds blurry / plasticy. There is a coloration that is present in all the tones.
I then almost pulled the trigger on a Kemper, since it sounds clearer, less blurry, but it's lacking something. It pretty much nails the real amp tones, way better than the Axe-Fx, but it sounds like an MP3 while the real deal is a Lossless. I was going to wait for a Kemper II version...
That is until I came across a Blackstar Artisan 100 HW head. This is basically a Marshall Superlead 100 clone with some additional voicing options / switching, from a Fender to a Plexi. I'm using an Alnico 15 inch mid-bass ($1,200 for the single driver alone) studio driver as my guitar speaker, to keep driver coloration to a minimum for proper testing. The sound is incredible and is exactly what I was looking for. It's clear as a bell, wide open, with airy breakup when pushed to around 8. There is no master volume. I plan to buy an attenuation device, but for the meantime I have my amp and cabinet setup in the room next to me (to avoid ear damage) and I crank it on 8 - 10 for breakup. Everyday is a live concert, I'm sure the neighbors don't mind, lol.
The only video / sound clip I've found which does it justice is this one:
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