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I hate SG’s, there i said it…

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ibmorjamn

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IMO,

Sometimes the wood blank chosen loses some of its voice, when contoured for a thin body or neck.

I have a bone stock 81 Dean V, that's thin and light and Roars like a 80s Thick Gibson, V or Explorer. Just primo pieces of wood were chosen for the neck and body.

I was taught, if the electric solid body doesn't sound good unplugged, the amplifier can only do so much to enhance it.

When I check out a solid body at the store, they ask me what amp would I like, I decline and evaluate it slowly and unplugged focusing how strong the wood's voice is.
I have a 80’s Dean Baby “V” still sounds good stock old Dimarzio 1 bridge only. I had to paint it because it got damaged. Probably from the heat in SoCal.
 
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paul-e-mann

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I do have to admit, I never wanted an SG they were never on my radar. They became an after thought as a quick Gibson fix cuz I wanted an LP but didn't have the money so I got a faded SG that I quickly learned to love. Fast forward a bunch of years later and got the SG standard I wanted then but couldn't afford, I love both of these guitars! :yesway:
 
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axe4me

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Many moons ago, I bought a used natural flame top Dean V (a Dean Zelinsky) from Voltage Guitars in Cal.

I was pretty nervous having that guitar in the cargo hold of the jet when I came back to NJ.

It survived and was part of a long ago sell off.
 

axe4me

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When I was 13(?), my parents took me to Sam Ash (off Empire Blvd) in Brooklyn.

I could have bought a used white Gibson SG Custom for less than $200.00.

I wanted an amp too and it was too much $'s for my dad to justify.

I could have had a new Fender DeLuxe Reverb for $115.00.

So, we bought a Magnatone Zephyr (white sparkle!!!!) and a Magnatone MP 1 amp.

They're long gone too.:rolleyes:

I saw the error in my ways when, in 1969, I bought a '69 Gibson 335 for $250.00 at Sam Ash on Kings Hwy/Coney Is. Ave, Brooklyn.

Mrs. Ash was still at the cash register.:lol:
 

Bloodrock

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Just shipped off my last SG to its new owner. I don’t know. Compared to a fender it just felt like a piece of cardboard with a neck glued on. I was afraid to play it or lay it down because of the extreme neck/headstock angle and the instable tuning. Felt like it was gonna break just playing it. Lol! So light and whimpy!
 

Deftone

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I never liked SG's...until I played one.

I bought one of the Special Faded SG's when they first came out in 2002, with the cresent moon inlays. $479 for a USA made Gibson. How can you pass that up? I thought I would just leave it at my GF's house or something but I fell in love with that guitar.

SG Faded.JPG
I had it for years. I finally decided I wanted a black one, so I sold it. I still have the black one though.

IMG_1602a.JPG
Also have this '67 jr....

IMG_1946a.JPG
I love SG's.
 

axe4me

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A guitar buddy called SG's a "poor man's Les Paul"...............I never saw it that way.

Even though I adore 335's, the SG has a special place.
 

Brian Krashpad

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I don't hate them. But for me they're kinda like Strats, an interesting extra flavor to have available, but generally speaking I'm good with just having a single iteration, rather than a batch of multiples in different configurations. In fairness, though, the SGs I have owned have all been cheapies, including the current Gibby.

51227157388_33f167452b_b.jpg
 

Dean Swindell

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Well over the years I’ve owned probably 5-6 Gibson SG’s and a couple epiphones. My most recent purchase is a basically new condition SG special from the mid 2000’s. Most beautiful guitar I’ve ever owned. Plug it in and it sounds like strings on a tin can. Thin extremely bright tone with no sustain. I even swapped the 490 pickups with 57 classics like i have in my Les Paul an love. Nope, still thin, shrill, and dead sounding. I guess I’m just never gonna be an SG guy. Every one I’ve had either sounds like garbage or has horrible neck dive i can’t stand. Oh well!
I've had a gaggle of SG's. There was a '73 SG Custom I hated but other than that I've liked them all. There must be something wrong with your wiring if it sounds thin or tinny (or the bridge?); that's odd as they usually have a mid focus with more controlled high end than Les Pauls. What I can't stand are the '57 and 490 pickups - dull dead tone - no use for 'em. In fact they are about the same pickup. Right now I have a 2012 Standard I love, a little heavy with NO neck dive, a DiMarzio set I put together. Also a 2019 Junior, stock pickup, feather light, a tiny bit of neck dive - you have to make it do it on purpose. Both incredible guitars.
 

johnny q

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As iconic as they are, I don't like SGs either. It's an aesthetics thing though, the whole "pizza paddle" design. Tonewise, well you can't argue with the sounds Clapton and Angus got now can you? :)

I recall Alex Lifeson using one for the first time, I think it was to play the song "Roll The Bones" live and later to play some of the songs off Rush's Feedback. I was not a happy camper :)
 

jgab

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Yes aesthetically they are a turn-off. I never touched one for years, then I picked up the 61' at the guitar shop and I am glad I did. The rest is history. Might be the last guitar out of my bunch that I would sell.

I should have paid attention to people I thought had great tone with SG's. Jason Farrell from Bluetip, Ian MacKaye from Fugazi, and of course Angus.
 

Townsendspecial

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My SG used to need tuning every few songs, but ever since I ran it over with my Oldsmobile, had it repaired, dropped it and broke the headstock off for the second time, (I have a great luthier), it stays in tune for days. Still my go-to axe. You guys with tuning issues should try out my repair procedure!
 

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