Iron1
Well-Known Member
Add another DSL vote here. Whichever one beat suits your needs.
These things are the case for some, maybe most players, but I have never found the shared gain and eq to be problem with the Jubilee. What works for one channel also works for the other-in my case. This isn't true for me with all amps.
I like the idea of having an Origin combo. It would be nice to have channel switching, though. For my tastes, I agree that the DSL is too modern sounding. Maybe the 2525C is the right way to go, it’s just a bit more expensive than I imagined for that kind of use. I don’t have issues with the shared gain and tone, BTW. I have a Slash signature and I get along fine with my clean having a little break-up.A DSL doesn't sound vintage at all. Buy one if thats what you want.
The 20w Origin has better tone, especially with a good OD pedal.
Jubilee is modern sounding in a way too. Lots of thick gain amd very responsive EQ. Can get more vintage I spose with proper settings but a DSL on Crunch channel does too.I like the idea of having an Origin combo. It would be nice to have channel switching, though. For my tastes, I agree that the DSL is too modern sounding. Maybe the 2525C is the right way to go, it’s just a bit more expensive than I imagined for that kind of use. I don’t have issues with the shared gain and tone, BTW. I have a Slash signature and I get along fine with my clean having a little break-up.
I wouldn’t say it’s modern like the DSL ultra channel. There’s a certain sponginess to the Jube’s lead tone that modern amps don’t have. IMO. That said, I do love the crunch mode of the DSL, I just wish you could footswitch between the clean and crunch.Jubilee is modern sounding in a way too. Lots of thick gain amd very responsive EQ. Can get more vintage I spose with proper settings but a DSL on Crunch channel does too.
True. Tone being very subjective. Modern in 1987!I wouldn’t say it’s modern like the DSL ultra channel. There’s a certain sponginess to the Jube’s lead tone that modern amps don’t have. IMO. That said, I do love the crunch mode of the DSL, I just wish you could footswitch between the clean and crunch.
“Vintage” and “modern” are tricky terms these days, because there are so many decades of guitar tone at this point. I’m not really trying to sound like older Clapton or Peter Green. But “modern” to me means djent, played by guys who feel at home with a 6505 driven by a TS9. I just need something more gutsy and organic. My playing gets about as modern as Mastodon.True. Tone being very subjective. Modern in 1987!
The 40CR lets you foot switch between modes.
Probably not the best guy to chime in if you are after vintage tones. I am a more modern tones guy.
Looks like you should've been fending off the DSL brigade on my thread today about looking for a 3rd string amp, DSL 40 or JTM 30. https://www.marshallforum.com/threa...shall-today-dsls-or-jtms.119329/#post-2102715And I forgot to mention. If I'm going to a known "ROCK" jam, my +/- 50 watt JTM30, with a JohnH attenuator will cover any volume reuirement! It's also a bit smaller and lighter than my DSL40CR and even it's worst sound is far superior to the best of the DSL40CR! A lttle less versatile, but..........! It didn't used to be a grab n go, as the otiginal Heritage speaker sounded hideous and pretty much relegated the amp to use as just a head. The Creamback/65 has recently changed all that!
Just Sayin'
Gene
View attachment 86445
Looks like you should've been fending off the DSL brigade on my thread today about looking for a 3rd string amp, DSL 40 or JTM 30. https://www.marshallforum.com/threa...shall-today-dsls-or-jtms.119329/#post-2102715
Good point! Well 80s hair metal to some modern hard rock is my era and I love my Jubilee. Depends what you wanna get outta it.“Vintage” and “modern” are tricky terms these days, because there are so many decades of guitar tone at this point. I’m not really trying to sound like older Clapton or Peter Green. But “modern” to me means djent, played by guys who feel at home with a 6505 driven by a TS9. I just need something more gutsy and organic. My playing gets about as modern as Mastodon.
Marshall JMD 1 50 watt combo lots of tones to pick 16 preamps 4 channels or save 28 presets master volume, and onboard effects. If you have to "grab and go" you may need a few choices of clean or lots of JVM style level of gain its all there.
One cord, One amp, One Guitar and go.............. I would replace the stock speaker
I need another amp like a hole in my head, but I’m thinking my next acquisition will be a small lightweight combo that I can use for impromptu jams or maybe even auditions (one day, when things get better). What do you use for this? What do you suggest?
I think I’d like something with a master volume so I can get a certain amount of drive at various volume levels. I’ve been looking for an old 4203 Artist, but maybe that’s not the best bet for what I want. What do you all think?
This, if you need it and the DSL20C if you don't!My favorite grab and go Marshall is my jcm800 4010 combo.