@HotRats73: that sounds like a great solution. which looper/switcher do you use?
I use a G-Major in the FX loop and use the relay out to switch channels. I increase gain on the patches that I use with the clean channel.
I'm using a moen gec8 jr right now and I use only 4 programs: clean with a line driver, lead no pedals, lead with a boost, lead with a boost and an eq boosting some level ane some mids.
I'm basically using the looper as a bigger channel selector at the moment.
all other pedals (modulations, delay, reverb, solo boost) are patched outside the looper or in the looper but with loops always open and I switch the single pedals on tapping them as usual.
I'm using a moen gec8 jr right now and I use only 4 programs: clean with a line driver, lead no pedals, lead with a boost, lead with a boost and an eq boosting some level ane some mids.
I have been looking for a cheap way to do this. I had my HD500 set up using the 4 cable method so I could have the jubilee on the lead channel and swap out the pre-amp for one of the pods clean pre-amps. This works but feels dirty having a line 6 hooked up to a jubilee. A looper like you use would be a great way for me to have a clean tone with chorus/delay and a lead sound without.
Compared to my 2555x, it's very close. I retubed both amps with identical tubes. The speaker in the combo gives it a slightly different voice, but still great. The sensitivity of pick attacks is the best that I have ever had in a combo amp. The lead channel has plenty of gain and easy to dial in for my tastes.I am heartened by the reports of 2525c owners pleased with the amp - so little info on this model out there yet.
@jimmy3711 and PBGas: how does the 2525 compare to other Marshall's and other amps you have owned? How would you describe the distortion sounds, the cleans, and the versatility/switcheability between tones, etc?
I played with the rhythm clip today. I haven't spent the time dialing this in. After quite a bit of time just focusing on this, I'm really finding a new door that's a blast and produces some great sounds.
Although I do not own the new Jubilee re-issue or that mini 2525 Jubilee, I am wondering what tubes these minis are running in the power amp? And even more I am wondering what voltage these little mini 2525 amps are running on their power tubes?
Both my 2555x and 2525c came with Tung Sol EL34's. I have since put KT77's in both of them.
I still find it not gainy enough with yhe clip on, I have to pin the gain then it's a bit much on kead channel. Have to boost it to use both channels unless clean is left clean.Although I do not own the new Jubilee re-issue or that mini 2525 Jubilee, I am wondering what tubes these minis are running in the power amp? And even more I am wondering what voltage these little mini 2525 amps are running on their power tubes?
I do own some vintage Jubilee stuff as I have an '87 Silver 2555 and an '89 Black 2550. I wanted to comment about the Rhythm/Clean channel and using the Rhythm Clip feature. If you are looking for a dirty tone and a lead boost without having to run external pedals, that Rhythm Clip is perfect for setting up your rhythm channel, then switch over to the Lead channel for just that, or set it to taste for a heavier tone or grind.
Basically, you just dial in the Rhythm channel with the Rhythm Clip engaged. Then you just have to turn down the Lead Master a bit to set the level you need. I have dialed in some quite tasty distorted tones on my Jubilee amps using that Rhythm channel and Rhythm Clip. I am surprised more people do not realize how good it can sound that way.
Maybe I need to read up on these new amps as I was thinking that 2525 is supposed to be a 25W amp?
Is it running two EL34's or one? What is the rated output on the 2525?
Sure the Jube is a one trick pony, but as someone else here said, it does that trick very well indeed. IMO its about the sound in your head - Whichever amp you decide on has to deliver that.
For my money, the Jube is the best Marshall that I've ever owned, and I've owned loads over the years - mainly because I could switch it on and get a sound without hours of twiddling.
If you need loads of different sounds, these days you're probably best off going for a Kemper or another modeller, but in reality *most* guitar players only use one or two sounds, especially live.