For me, yes I think it is worth it. While some of my speakers aren't a great deal different (the '65 is similar to the Greenback's tone, to me it's got a slightly different high end for example), there is enough difference in 'em where it would be noticeable in a mix (IE: 2 guitars panned 80% L/R, Greenback on the left, V30 on the right), plus there are other factors (like your different amps for example), different guitars, mics, effects, etc., that really give me a pretty wide range of tones. The best part of all this is for me, it's all in one spot/cab, & is very convenient, for me...
It's kinda like the ampsim thing, where you have a bunch of different cab sims all in one program, but it's real speakers....
It depends on a lot of things like what kind of music you're recording, how picky you are about your recorded tones, etc., but short story, yes I think it's worth it myself. I'd love to have a quad of all these speakers, with a 4x12 for 'em all, but that's quite a bit of $$$, and would take up quite a bit of space, neither of which I have...YMMV
Using a cab with different speakers in it would definitely give you different tones, as long as you're close mic'ing 'em. Now, if you're using room mics, it migh sound a little weird, I don't know myself, as my room is pretty crappy, so I add the room thing via vst reverbs, but it'd be worth a try anyway. Plus, if you don't like it, you can always swap your speakers back to where you had 'em...Just sayin'....Thanks! I'm pondering perhaps an Alnico of some sort. The main alternate amp* is my Friedman SS-100 head in a studio with whom I work who has the quad V30s Marshall cabinet. Gibson SGs (stock), Teles (various iterations and p'ups), Strats (various iterations and p'ups).
*My other "main" amps are a Top Hat Club Royale 212 combo and a Rivera-era Fender Twin II. The DSL40C is my (guitar) gigging amp, but compares well in a 212-closed back cab I have to the SS-100 as if the Marshall were a V6 engine and the Friedman were a V8 engine
So, I was called stupid for buying a new Marshall DSL40CST (cream back installed already). I should have bought a Blackstar 60. Am I stupid? I played the HT 40, it's great. But, I like the Marshall a little more.
Different critters, right? RFT is an old stock tube, sounds great in V1 position. I have that in mine too!!
Why would you want a code SS amp, prb bright and thin like solid states lol
So who's planning on buying a code and selling their 40c?
I've heard some rumblings of people who are thinking about it without ever hearing one.
Different critters, right? RFT is an old stock tube, sounds great in V1 position. I have that in mine too!!
What does RFT stand for or who is it made by.?
Me I have a Mullard CV4004 in V1
B.P.
Why would you want a code SS amp, prb bright and thin like solid states lol