I have four 1960 cabs. (Two A and Two B cabinets.)
And a RedBear 4x12 that I don't use.
I love you guys who have 10 or more cabs!
It makes me look normal in comparison!
Hmm..
The wires on the switch doesn't connect the same way as on your schematic. It seems mirrored? I suppose the schematic shows the switch up side down the same way as your picture?
No cash in my wallet!
All is in cyberspace!
My mother used to say:
"You should always have at least some coins in your wallet or else the dogs will pee on you!"
Well...
They can pee on me!
All I have in there is my drivers licence, my credit cards and a few picks!
Jumping in.
I have had the old Nady wireless in the 80's/90's and Shure The guitarist Wireless. Both had their problems but the Shure was the best of the two.
Then I went cable for a couple of years before I got the Line6 G30.
The G30 is miles above both the old Nady and the Shure The...
This is my wall of Doom. (I don't play Doom. But i like to call it that! :D)
Diezel Einstein and RedBear MKE60 into four Marshall 1960 cabs with G12T-75's.
That's my preferred way too. Presence high and treble low. On all amp makes.
But I will try the Angus way at next rehearsal.
It is always fun to try different things.
No I think you are wrong. I'm almost certain they where brown from the factory.
At least the few brown ones I have owned have had a very uniform brown color with no variation.
It could be many things:
The 89 being a brighter guitar?
The pots being 500k in the 89 and 300k in the other?
Does the 89 have an ebony fret board?
My 92 wine red studio has an ebony fret board and I think it contributes to some highs in the sound.
I know many studios being dark and muddy...
Is it this one you have? If so I have the same one.
I run two amps at the same time with it.
I do get a little bit of signal loss but I put a buffer before the big shot to make up for that.
Other than this I think it works really well.
There is a phase switch and a ground lift if you run...